El próximo 15 de Mayo a las 20.00 horas se inaugura la primera exposición individual en España del artista Holandés Marc Bijl, la muestra lleva por título "Arrested Development" y reune obras de este reputado artista desde 1990 hasta nuestros días.
En su primera exposición individual en España Marc Bijl reunirá una selección de los trabajos mas significativos que este joven artista ha presentado en la última década. el trabajo de Marc Bijl, de clara implicación política y social, incluye objetos, intervenciones e instalaciones en el espacio público, en las que utiliza los códigos de la propaganda, la publicidad y las subculturas juveniles para denunciar con ironía los entramados del sistema neoliberal y las manipulaciones en la esfera de la política, la cultura y la religión, así como los peligros del territorio globalizado en el que actua. Marc Bijl juega con los iconos del siglo XX poniendo en evidencia los finos lazos que unen las banderas, los discursos políticos y guerras con las grandes marcas de la insutria tradicional.
Marc Bijl ataca los símbolos publicitarios y el mito pop, creando un imaginario personal a oartir de iconos de la reciente historia del arte que conjuga con movimientos contraculturales como el punk, el rock gótico o el anarquismo.
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EL ARTE EROTICO EN LA PREHISTORIA - BELLAS ARTES &
EL EROTISMO EN LA PREHISTORIA
EROTIC ART - PREHISTORY
As we can see through different images, they had sexual intercourse with animals, homosexual relations and more than two people at the same time.
http://www.arterupestre-c.com/1000.htm
Venus - Venuses http://www.arterupestre-c.com/1000ven.htm
There is o ne sculpture that is emblematic, found in 1908, after lots of research and different epochs being affirmed as the real o nes about this sculpture, now they believe it was done around 24,000-22,000 BC.
It shows a woman with a large stomach that overhangs but does not hide her pubic area. A roll of fat extends around her middle, joining with large but rather flat buttocks, there's no face and seems that at this place there is a hat or even hair rolled up o n the head.
Her genital area would appear to have been deliberately emphasized with the labia of the vulva carefully detailed and made clearly visible, perhaps unnaturally so, and as if she had no pubic hair. This, combined with her large breasts and the roundness of her stomach, suggests that the "subject" of the sculpture is female procreativity and nurture and the piece has long been identified as some sort of fertility idol.
The fact that numerous examples like that of a female figure. All generally exhibiting the same essential characteristics - large stomachs and breasts, featureless faces, minuscule or missing feet - have been found over a broad geographical area ranging from France to Siberia. That suggests that some system of shared understanding and perception of a particular type of woman existed during the Paleolithic.
Daniel Verdejo - Barcelona España
arterupestresi@hotmail.com
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